Paul & Linda McCartney - Ram (1971), 7/10

Ram is easy and accessible, perhaps partially due to the cultural familiarity with the Beatles, but more likely because it is filled with effective songwriting from one of the greats. Paul still had passion intermixed within his writing methodology, tapping into a familiar set of sensibilities that captures the same nostalgic essence Western audiences are familiar with. Things begin well with "Too Many People" and its booming chorus/glowing verse, and while it may be among the weakest tracks of the record, it still sets the mood properly and introduces a tone consistent with the stronger compositions. "Dear Boy" feels like a classic "Paul" melody and it fits right in among the other hits, again easily recognizable as his writing and performance style. It is followed by one of the best songs McCartney composed with "Uncle Albert / Admiral Halsey", a sweeping two-part masterpiece telling a gripping story and showcasing gorgeous, well varied textures throughout, then hitting hard where it counts in key, impressionable moments. It carries an otherwise underwhelming first half of the album on its shoulders, before the stronger second half gets underway. If McCartney would have been able to capture the magic in this creation, Ram could have been one of the great solo albums rivaling the Beatles more creative works, but it remains a solid, great set of songs. The issue with the album as a holistic experience is that the majority is hindered by what most of his solo work is held back by, his strange infatuation with a very specific self-involved cutesy sound. McCartney works better in a group that could control his substantial vocal and songwriting personality. Later in the track list we get one of the most satisfying vocal performances from Paul in "Monkberry Moon Delight" filled with deep growling and haunting nightmarish guitar flourishes. Despite its shortcomings, Ram is a warm, comforting soulmate for any fan of sixties and seventies pop rock.